Simon wrote: ↑16 Apr 2022, 23:21
masi wrote: ↑16 Apr 2022, 22:41
For Eurorack either a dual pulse or a start/stop signal is useful.
Could you precise what you mean by start/stop signal? Do you mean the same signal as the one on the ring in the DIN sync spec ("
Ring | start/stop | stop = 0 volt, start = +5 volt" as explained on
https://en.wikipedia.org/wiki/DIN_sync )?
No and yes. Only a few Eurorack sequencers have decicated start/stop trigger inputs. And if they have, they are separate jacks.
But many if not all have a reset trigger and triggers usually work well with +5V. So on start a trigger must be sent to keep the start of sequence in sync, nothing is required on stop.
OTOH I don't think that any module will wait for the falling edge of the trigger. So simply raising the voltage on start as with DIN sync, will be fine.
Simon wrote: ↑16 Apr 2022, 23:21
masi wrote: ↑16 Apr 2022, 22:41
Though the pulse could be either a trigger signal (short) or a gate (long, 50% of rate for a square wave).
And when you say a "gate" at 50% rate:
* say we are sending at 4ppq at 125BPM
* that's one pulse every 120ms
* a "pulse" would be f.x. 5ms at 5V, followed by 115ms at 0V
* but you would want an option to have 60ms at 5V and 60ms at 0V
correct?
Exactly. The idea is that you have eg 5V on beats 1 and 3, and 0V on beats 2 and 4.
You can spin that further by changing the relation to eg 3 to 1: so you have 5V for beats 1 to 3, but 0V for beat 4.
Or you could invert the signal, so that it starts with 0V.
Why all this? So you can mangle the signals in the rack with logic modules to derive rhythms. You could do that without Midronome of course. But starting out with a more complex pattern to begin with makes things easier in the rack (less modules needed).